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[Flute Teaching - Level One] [Flute Teaching - Level Two] [Flute Teaching - level Three]

Flute Level One

Following an HMI visit, it was suggested that we be more succinct in our expectations within our department.

Feel free to use and amend the material.

(It would be helpful for me to have feedback if you do choose to use it!)

email: [email protected]

SCHEME OF WORK: FLUTE

LEVEL 1 (FOUNDATION)

 
KNOWLEDGE OF THE INSTRUMENT

Pupils should be able to show a working knowledge of the following:

* How the flute works

* Recognition of the main parts of the instrument i.e. Headjoint, Body, Footjoint

* The correct way to assemble the flute

* Care and maintenance of the flute

* Correct posture for playing seated and standing

* Know how to tune the flute to the appropriate notes

* Understand how the sound is produced

* Correct stance and hand positions

* Understand the significance of practicing efficiently

 

TECHNIQUE

Pupils should be able to demonstrate the following:

* Good embouchure formation

* Basic breath control

* Ability to start and finish notes in the correct manner

* Ability to demonstrate basic articulation i.e. Slurs, staccato, accents etc.

* Have a good warm-up technique based on long notes, designed to develop stamina
range and flexibility

* Hand position must be correct from the outset, fingers should be curved

 

SCALES AND ARPEGGIOS

Pupils should be able to play from music the following:

* Major: C, G, D, A, F, Bb, Eb - one octave

* Minor: A, E, D, G harmonic - one octave

* Arpeggios: of above keys

* Chromatic: on D - one octave

* All scales should be played both tongued and slurred and should demonstrate fluency
and an even sound production

 

REPERTOIRE

* Suitable repertoire should be drawn from recognised sources including tutor books,
studies and pieces according to the pupil�s stage of development.

* Suitable material maybe drawn from the various examination board syllabi.

* Pupils should be encouraged to perform from an early stage.

* Performances should demonstrate an understanding of style, phrasing, expression and
tempo along with a secure knowledge of notes and rhythm.

 

THEORY

Pupils should be able to demonstrate a knowledge of music theory relevant
to the chosen repertoire. In addition, pupils must recognise and understand the following:

* Notation: Stave, bar-lines, treble clef, leger lines. All treble clef notes within the
playing range (letter name and fingering) Accidentals - sharp, flat and natural signs

* Rhythm: Crotchet, quaver, minim and semibreve and their equivalent rests,
Dotted and tied notes, Time signatures 2/4, 3/4, 4/4, 6/8

* Key signatures: All major and minor keys with up to three sharps or flats -
Be able to construct a major scale and know the significance of wholetones and
semitones.

* Dynamics: pp, p, mp, mf, f, ff, crescendo, diminuendo.

* Tempo: Allegro, Andante, Moderato, Rall., Rit.

* Articulation: Slur, Staccato

* Form: Repeat signs, D.C. al fine

 

SIGHT READING

Pupils should be prepared to play a short piece at sight:

* in simple time

* in any key, up to and including two sharps or flats

* consisting of semibreves, minims, crotchets, quavers, dotted and tied notes

* including familiar dynamic and articulation marks

 

Aural

Pupils should be able to:

* Clap from memory the rhythm of a simple melody in duple, triple
or quadruple simple time

* Beat time to a melody in duple, triple or quadruple simple time

* Sing or play back from memory a simple four note phrase

* Recognise a rhythmic or melodic change to a four bar phrase played twice with the
change being made in the second playing

* Complete a simple four bar phrase by adding two further bars to the first two,
creating a cadence in the home key.

 

RECOMMENDED BIBLIOGRAPHY

Tutor Books: LAYP Flute, Abracadabra Flute, B&H Flute Method

Study Book: 125 Easy Classical Studies, Practice makes Perfect

 

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Carole B. Miller
Copyright � 2002 [Mostlywind]. All rights reserved.
Revised: June 24, 2009